pd-fftease 2.5.2.git20121005-1 / usr / lib / pd / extra / fftease / pvgrain~-help.pd

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/usr/lib/pd/extra/fftease/pvgrain~-help.pd is in pd-fftease 2.5.2.git20121005-1.

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#N canvas 772 607 490 340 10;
#N canvas 0 22 482 332 pvgrain-block 0;
#X obj 9 110 outlet;
#X obj 9 15 inlet~;
#X obj 94 15 inlet;
#X obj 8 140 block~ 256;
#X text 12 90 args: grains/frame \, odds \, topfreq \, overlap \, window-factor
;
#X obj 9 68 pvgrain~ 4 0.01 2000 4 2;
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#X restore 13 103 pd pvgrain-block;
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#X obj 13 172 print;
#X msg 110 242 \; pd dsp \$1;
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#X msg 280 331 bottomfreq \$1;
#X obj 105 40 unpack f f f f;
#X msg 105 21 0.01 2000 50 8;
#X obj 300 492 fftease-system;
#X text 436 363 maximum data grains per FFT frame;
#X text 197 157 top frequency to listen to in source sound;
#X text 283 263 ditto for bottom frequency;
#X text 221 48 odds for a grain appearing from an active bin;
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#X text 69 131 see amp/freq info;
#X text 42 277 spectral granular (re)synthesis;
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#X obj 112 343 / 261;
#X text 156 345 <- piano sample base frequency;
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#X text 13 269 this is one example of what you can do with the analysis
data;
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#X text -18 262 a soundfile or live mic would be more interesting here
;
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#X text 18 26 Input sound is analyzed and a certain number of bin snapshots
are taken \, based on the probability and framegrains parameters. Each
bin grain snapshot is sent out as a list with two members: [amplitude
\, frequency]. In this example the grain data is used to drive a sample
player. One could easily replace this with a synth or even drive an
external MIDI synth. This is something like a pitch-follower except
that it follows the entire spectrum (limited by the topfreq parameter)
rather than just looking for the fundamental. Since this is based on
FFT analysis the resolution is worse for lower frequencies. Frequency
resolution can be improved by upping the FFT size.;
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#X text 356 98 <- turn me on;
#X text 204 64 <- check me out;
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