supercollider-common 1:3.6.3~repack-5 / usr / share / SuperCollider / HelpSource / Guides / Non-Realtime-Synthesis.schelp

title:: Non-Realtime Synthesis
summary:: Non-realtime synthesis with binary files of OSC commands
categories:: Server>NRT, External Control>OSC
related:: Classes/Score

section:: Non-Realtime Synthesis

SuperCollider 3 supports non-realtime synthesis through the use of binary files of OSC commands.

First create an OSC command file (i.e. a score)
code::
f = File("Cmds.osc","w");

// start a sine oscillator at 0.2 seconds.
c = [ 0.2, [\s_new, \NRTsine, 1001, 0, 0]].asRawOSC;
f.write(c.size); // each bundle is preceeded by a 32 bit size.
f.write(c); // write the bundle data.

// stop sine oscillator at 3.0 seconds.
c = [ 3.0, [\n_free, 1001]].asRawOSC;
f.write(c.size);
f.write(c);

// scsynth stops processing immediately after the last command, so here is
// a do-nothing command to mark the end of the command stream.
c = [ 3.2, [0]].asRawOSC;
f.write(c.size);
f.write(c);

f.close;

// the 'NRTsine' SynthDef
(
SynthDef("NRTsine",{ arg freq = 440;
	Out.ar(0,
		 SinOsc.ar(freq, 0, 0.2)
	)
}).writeDefFile;
)
::
then on the command line (i.e. in Terminal):
code::
./scsynth -N Cmds.osc _ NRTout.aiff 44100 AIFF int16
::
The command line arguments are:
code::
    -N <cmd-filename> <input-filename> <output-filename> <sample-rate> <header-format> <sample-format> 	<...other scsynth arguments>
::
If you do not need an input sound file, then put "_" for the file name as in the example above.

For details on other valid arguments to the scsynth app see Server-Architecture.

This could be executed in SC as:
code::
"./scsynth -N Cmds.osc _ NRTout.aiff 44100 AIFF int16 -o 1".unixCmd; // -o 1 is mono output
::
A more powerful option is to use the link::Classes/Score:: object, which has convenience methods to create OSC command files and do nrt synthesis.
code::
(
x = [

[0.0, [ \s_new, \NRTsine, 1000, 0, 0,  \freq, 1413 ]],
[0.1, [ \s_new, \NRTsine, 1001, 0, 0,  \freq, 712 ]],
[0.2, [ \s_new, \NRTsine, 1002, 0, 0,  \freq, 417 ]],
[0.3, [ \s_new, \NRTsine, 1003, 0, 0,  \freq, 1238 ]],
[0.4, [ \s_new, \NRTsine, 1004, 0, 0,  \freq, 996 ]],
[0.5, [ \s_new, \NRTsine, 1005, 0, 0,  \freq, 1320 ]],
[0.6, [ \s_new, \NRTsine, 1006, 0, 0,  \freq, 864 ]],
[0.7, [ \s_new, \NRTsine, 1007, 0, 0,  \freq, 1033 ]],
[0.8, [ \s_new, \NRTsine, 1008, 0, 0,  \freq, 1693 ]],
[0.9, [ \s_new, \NRTsine, 1009, 0, 0,  \freq, 410 ]],
[1.0, [ \s_new, \NRTsine, 1010, 0, 0,  \freq, 1349 ]],
[1.1, [ \s_new, \NRTsine, 1011, 0, 0,  \freq, 1449 ]],
[1.2, [ \s_new, \NRTsine, 1012, 0, 0,  \freq, 1603 ]],
[1.3, [ \s_new, \NRTsine, 1013, 0, 0,  \freq, 333 ]],
[1.4, [ \s_new, \NRTsine, 1014, 0, 0,  \freq, 678 ]],
[1.5, [ \s_new, \NRTsine, 1015, 0, 0,  \freq, 503 ]],
[1.6, [ \s_new, \NRTsine, 1016, 0, 0,  \freq, 820 ]],
[1.7, [ \s_new, \NRTsine, 1017, 0, 0,  \freq, 1599 ]],
[1.8, [ \s_new, \NRTsine, 1018, 0, 0,  \freq, 968 ]],
[1.9, [ \s_new, \NRTsine, 1019, 0, 0,  \freq, 1347 ]],

[3.0, [\c_set, 0, 0]]
];
)
::
You can then use code::Score.write:: to convert the above to the OSC command file as follows:
code::
Score.write(x, "score-test.osc");
"./scsynth -N score-test.osc _ score-test.aiff 44100 AIFF int16 -o 1".unixCmd;
::
Score also provides methods to do nrt synthesis directly:
code::
(
var f, o;
g = [
	[0.1, [\s_new, \NRTsine, 1000, 0, 0, \freq, 440]],
	[0.2, [\s_new, \NRTsine, 1001, 0, 0, \freq, 660]],
	[0.3, [\s_new, \NRTsine, 1002, 0, 0, \freq, 220]],
	[1, [\c_set, 0, 0]]
	];
o = ServerOptions.new.numOutputBusChannels = 1; // mono output
Score.recordNRT(g, "help-oscFile.osc", "helpNRT.aiff", options: o); // synthesize
)
::

section:: Analysis using a Non-Realtime server

An NRT server may also be used to extract analytical data from a sound file. The main issues are:

DEFINITIONlIST::
## Suppressing audio file output
|| In OSX and Linux environments, use teletype::/dev/null:: for the output file path. In Windows, use teletype::NUL::.
## Retrieving analytical data.
|| The easiest way is to allocate a buffer at the beginning of the NRT score, and use BufWr to fill the buffer. At the end of the score, write the buffer into a temporary file. Then you can use SoundFile on the language side to access the data. See the example.
::

code::
// Example: Extract onsets into a buffer.

(
fork {
	var resultbuf, resultpath, oscpath, score, dur, sf, cond, size, data;

	// get duration
	sf = SoundFile.openRead(Platform.resourceDir +/+ "sounds/a11wlk01.wav");
	dur = sf.duration;
	sf.close;

	resultpath = PathName.tmp +/+ UniqueID.next ++ ".aiff";
	oscpath = PathName.tmp +/+ UniqueID.next ++ ".osc";

	score = Score([
		[0, (resultbuf = Buffer.new(s, 1000, 1, 0)).allocMsg],
		[0, [\d_recv, SynthDef(\onsets, {
			var sig = SoundIn.ar(0), // will come from NRT input file
			fft = FFT(LocalBuf(512, 1), sig),
			trig = Onsets.kr(fft),
			// count the triggers: this is the index to save the data into resultbuf
			i = PulseCount.kr(trig),
			// count time in seconds
			timer = Sweep.ar(1);
			// 'i' must be audio-rate for BufWr.ar
			BufWr.ar(timer, resultbuf, K2A.ar(i), loop: 0);
			BufWr.kr(i, resultbuf, DC.kr(0), 0);  // # of points in index 0
		}).asBytes]],
		[0, Synth.basicNew(\onsets, s, 1000).newMsg],
		[dur, resultbuf.writeMsg(resultpath, headerFormat: "AIFF", sampleFormat: "float")]
	]);

	cond = Condition.new;

	// osc file path, output path, input path - input is soundfile to analyze
	score.recordNRT(oscpath, "/dev/null", sf.path, sampleRate: sf.sampleRate,
		options: ServerOptions.new
			.verbosity_(-1)
			.numInputBusChannels_(sf.numChannels)
			.numOutputBusChannels_(sf.numChannels)
			.sampleRate_(sf.sampleRate),
		action: { cond.unhang }  // this re-awakens the process after NRT is finished
	);
	cond.hang;  // wait for completion

	sf = SoundFile.openRead(resultpath);
	// get the size: one frame at the start
	sf.readData(size = FloatArray.newClear(1));
	size = size[0];
	// now the rest of the data
	sf.readData(data = FloatArray.newClear(size));
	sf.close;

	File.delete(oscpath); File.delete(resultpath);

	data.postln;  // these are your onsets!
};
)
::