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<html>
<head>

<title>Appendix - The Symbols of Anarchy</title>
</head>

<body>

<h1>Appendix - The Symbols of Anarchy</h1>

<h2>
<a href="append2.html#black">1 What is the history of the Black Flag?</a><br>
<a href="append2.html#redblack">2 Why the red-and-black flag?</a><br>
<a href="append2.html#circledA">3 Where does the circled A come from?</a><br>
</h2>

<h3>Introduction</h3>

<p>
Anarchism has always stood deliberately for a broad, and at times 
vague, political platform. The reasoning is sound; blueprints create 
rigid dogma and stifle the creative spirit of revolt. Along the same 
lines and resulting in the same problems, Anarchists have rejected the 
"disciplined" leadership that is found in many other political groupings 
on the Left. The reasoning for this is also sound; leadership based on 
authority is inherently hierarchical. 
</p><p>
It seems to follow logically that since Anarchists have shied away from 
anything static, that we would also shy away from the importance of symbols 
and icons. Yet the fact is Anarchists have used symbolism in our revolt 
against the State and Capital, the most famous of which are the circled-A, 
the black flag and the red-and-black flag. This appendix tries to show the 
history of these three iconic symbols and indicate why they were taken up 
by anarchists to represent our ideas and movement. 
</p><p>
Ironically enough, one of the original anarchist symbols was the <b><i>red</i></b> 
flag. As anarchist Communard Louise Michel put it, <i>"Lyon, Marseille, 
Narbonne, all had their own Communes, and like ours [in Paris], theirs
too were drowned in the blood of revolutionaries. That is why our flags 
are red. Why are our red banners so terribly frightening to those persons 
who have caused them to be stained that colour?"</i> [<b>The Red Virgin: 
Memoirs of Louise Michel</b>, p. 65] March 18th, 1877, saw Kropotkin 
participate in a protest march in Berne which involved the anarchists 
<i>"carrying the red flag in honour of the Paris Commune"</i> for <i>"in 
Switzerland federal law prohibited public display of the red flag."</i> 
[Martin A. Miller, <b>Kropotkin</b>, p. 137] Anarchist historians Nicolas 
Walter and Heiner Becker note that <i>"Kropotkin always preferred the red flag."</i> 
[Peter Kropotkin, <b>Act for Yourselves</b>, p. 128] On Labour Day in 1899, 
Emma Goldman gave lectures to miners in Spring Valley, Illinois, which ended 
in a demonstration which she headed <i>"carrying a large red flag."</i> 
[<b>Living My Life</b>, vol. 1, p. 245] According to historian Caroline 
Waldron Merithew, the 300 marchers <i>"defied police orders to haul down 
the 'red flag of anarchy.'"</i> [<b>Anarchist Motherhood</b>, p. 236]
</p><p>
This should be unsurprising as anarchism is a form of socialism and came out 
of the general socialist and labour movements. Common roots would imply common 
imagery. However, as mainstream socialism developed in the nineteenth century 
into either reformist social democracy or the state socialism of the revolutionary 
Marxists, anarchists developed their own images of revolt based upon those raised 
by working class people in struggle. As will be shown, they come from the 
revolutionary anarchism most directly associated with the wider labour and 
socialist movements, i.e., the dominant, mainstream social anarchist tradition. 
As Nicholas Walter put it:
</p><p><blockquote><i>
"[The] serious study of anarchism should be based on fact rather than 
fantasy, and concentrate on people and movements that actually used the 
word. However old and wide the ideas of anarchism may be . . . no one 
called himself an anarchist before [Proudhon in] 1840, and no movement 
called itself anarchist before the 1870s . . . The actual anarchist 
movement was founded . . . by the anti-authoritarian sections of the 
First International . . . This was certainly the first anarchist movement, 
and this movement was certainly based on a libertarian version of the 
concept of the class struggle."</i> [<b>The Anarchist Past and other essays</b>, 
pp. 60-1]
</blockquote></p><p>
Unsurprisingly, the first anarchist symbols reflected the origins and ideas
of this class struggle movement. Both the black and red-and-black flags were 
first used by revolutionary anarchists. The black flag was popularised in the
1880s by Louise Michel, a leading French communist-anarchist militant. From 
Europe it spread to America when the communist-anarchists of the <b>International
Working People's Association</b> raised it in their struggle against capitalism
before being taken up by other revolutionary class struggle anarchists across
the globe. The red-and-black flag was first used by the Italian section of 
the First International and this had been the first to move from collectivist 
to communist-anarchism in October 1876. [Nunzio Pernicone, <b>Italian Anarchism, 
1864-1892</b>, p. 111] From there, it spread to Mexico and was used by anarchist
labour militants there before being re-invented by the Spanish anarcho-syndicalists
in the 1930s. Like anarchism itself, the anarchist flags are a product of the 
social struggle against capitalism and statism.
</p><p>
We would like to point out that this appendix is partly based on Jason Wehling's 
1995 essay <b>Anarchism and the History of the Black Flag</b>. Needless to say, 
this appendix does not cover all anarchists symbols. For example, recently the 
red-and-black flag has become complemented by the green-and-black flag of 
eco-anarchism (the symbolism of the green should need no explanation). Other 
libertarian popular symbols include the IWW inspired <i><b>"Wildcat"</b></i> 
(representing, of course, the spontaneity, direct action, solidarity and militancy 
of a wildcat strike), the <i><b>"Black Rose"</b></i> (inspired, no doubt, by the 
demand of striking IWW women workers in Lawrence, 1912, for not only bread, 
but for roses too) and the ironic <i><b>"little black bomb"</b></i> (among 
others). Here we concentrate on the three most famous ones.</p>

<a name="black"><h3>1 What is the history of the Black Flag?</h3></a>

As is well known, the black flag is the symbol of anarchism. Howard Ehrlich 
has a great passage in his book <b>Reinventing Anarchy, Again</b> on why
anarchists use it. It is worth quoting at length:
</p><p><blockquote>
<i>"Why is our flag black? Black is a shade of negation. The black flag is 
the negation of all flags. It is a negation of nationhood which puts the 
human race against itself and denies the unity of all humankind. Black is 
a mood of anger and outrage at all the hideous crimes against humanity 
perpetrated in the name of allegiance to one state or another. It is 
anger and outrage at the insult to human intelligence implied in the 
pretences, hypocrisies, and cheap chicaneries of governments . . . 
Black is also a colour of mourning; the black flag which cancels out the 
nation also mourns its victims the countless millions murdered in wars, 
external and internal, to the greater glory and stability of some bloody 
state. It mourns for those whose labour is robbed (taxed) to pay for the 
slaughter and oppression of other human beings. It mourns not only the 
death of the body but the crippling of the spirit under authoritarian and 
hierarchic systems; it mourns the millions of brain cells blacked out 
with never a chance to light up the world. It is a colour of inconsolable 
grief.
</p><p>
"But black is also beautiful. It is a colour of determination, of resolve, 
of strength, a colour by which all others are clarified and defined. 
Black is the mysterious surrounding of germination, of fertility, the 
breeding ground of new life which always evolves, renews, refreshes, and 
reproduces itself in darkness. The seed hidden in the earth, the strange 
journey of the sperm, the secret growth of the embryo in the womb all 
these the blackness surrounds and protects.
</p><p>
"So black is negation, is anger, is outrage, is mourning, is beauty, is 
hope, is the fostering and sheltering of new forms of human life and 
relationship on and with this earth. The black flag means all these 
things. We are proud to carry it, sorry we have to, and look forward to 
the day when such a symbol will no longer be necessary."</i> [<i>"Why the 
Black Flag?"</i>, Howard Ehrlich (ed.), <b>Reinventing Anarchy, Again</b>, 
pp. 31-2]
</blockquote>
</p><p>
Here we discuss when and why anarchists first took up the black flag as our 
symbol.
</p><p>
There are ample accounts of the use of black flags by anarchists. 
Probably the most famous was Nestor Makhno's partisans during the Russia 
Revolution. Under the black banner, his army routed a dozen armies and 
kept a large portion of the Ukraine free from concentrated power for a 
good couple of years. On the black flag was embroidered <i>"Liberty or 
Death"</i> and <i>"The Land to the Peasant, The Factories to the Workers."</i> 
[Voline, <b>The Unknown Revolution</b>, pp. 607-10] In 1925, the Japanese 
anarchists formed the <b>Black Youth League</b> and, in 1945, when the 
anarchist federation reformed, their journal was named <b>Kurohata</b> 
(<b>Black Flag</b>). [Peter Marshall, <b>Demanding the Impossible</b>, 
pp. 525-6] In 1968, students carried black (and red) flags during the 
street fighting and General Strike in France, bringing the resurgence 
of anarchism in the 1960s into the view of the general public. The same year 
saw the Black Flag being raised at the American <b>Students for a Democratic 
Society</b> national convention. Two years later the British based magazine 
<b>Black Flag</b> was started and is still going strong. At the turn 
of the 21st century, the Black Flag was at the front of the so-called 
anti-globalisation protests. Today, if you go to any sizeable demonstration 
you will usually see the Black Flag raised by the anarchists present.
</p><p>
However, the anarchists' black flag originated much earlier than this. 
Louise Michel, famous participant in the Paris Commune of 1871, was 
instrumental in popularising the use of the Black Flag in anarchist circles. 
At a March 18th public meeting in 1882 to commemorate the Paris Commune 
she proclaimed that the <i>"red flag was no longer appropriate; [the
anarchists] should raise the black flag of misery."</i> [Edith Thomas, 
<b>Louise Michel</b>, p. 191] The following year she put her words into 
action. According to anarchist historian George Woodcock, Michel flew 
the black flag on March 9, 1883, during demonstration of the unemployed 
in Paris, France. An open air meeting of the unemployed was broken up by 
the police and around 500 demonstrators, with Michel at the front carrying 
a black flag and shouting <i>"Bread, work, or lead!"</i> marched off 
towards the Boulevard Saint-Germain. The crowd pillaged three baker's 
shops before the police attacked. Michel was arrested and sentenced 
to six years solitary confinement. Public pressure soon forced the granting 
of an amnesty. [<b>Anarchism</b>, pp. 251-2] August the same year saw the 
publication of the anarchist paper <b>Le Drapeau Noir</b> (<b>The Black 
Flag</b>) in Lyon which suggests that it had become a popular symbol within 
anarchist circles. [<i>"Sur la Symbolique anarchiste"</i>, <b>Bulletin du 
CIRA</b>, no. 62, p. 2] However, anarchists had been using red-and-black flags 
a number of years previously (see <a href="append2.html#redblack">next section</a>) 
so Michel's use of the colour black was not totally without precedence. 
</p><p>
Not long after, the black flag made its way to America. Paul Avrich reports 
that on November 27, 1884, it was displayed in Chicago at an anarchist 
demonstration. According to Avrich, August Spies, one of the Haymarket 
martyrs, <i>"noted that this was the first occasion on which [the black 
flag] had been unfurled on American soil."</i> By January the following 
year, <i>"[s]treet parades and mass outdoor demonstrations, with red and 
black banners . . . were the most dramatic form of advertisement"</i> for 
the revolutionary anarchist movement in America. April 1885 saw Lucy Parsons 
and Lizzie Holmes at the head of a protest march <i>"each bearing a flag, one 
black, the other red."</i> [<b>The Haymarket Tragedy</b>, p. 145, pp. 81-2 and 
p. 147] The Black Flag continued to be used by anarchists in America, with one 
being seized by police at an anarchist organised demonstration for the unemployed 
in 1893 at which Emma Goldman spoke. [<b>Emma Goldman: A Documentary History of 
the American Years</b>, vol. 1, p. 144] Twenty one years later, Alexander 
Berkman reported on another anarchist inspired unemployed march in New York 
which raised the black flag in <i>"menacing defiance in the face of parasitic 
contentment and self-righteous arrogance"</i> of the <i>"exploiters and well-fed 
idlers."</i> [<i>"The Movement of the Unemployed"</i>, <b>Anarchy! An Anthology 
of Emma Goldman's Mother Earth</b>, p. 341]
</p><p>
It seems that black flags did not appear in Russia until the founding 
of the <b>Chernoe Znamia</b> (<b><i>"black banner"</i></b>) movement in 
1905. With the defeat of that year's revolution, anarchism went underground 
again. The Black Flag, like anarchism in general, re-emerged during the 1917 
revolution. Anarchists in Petrograd took part in the February demonstrations
which brought down Tsarism carrying black flags with <i>"Down with authority
and capitalism!"</i> on them. As part of their activity, anarchists organised 
armed detachments in most towns and cities called <i>"Black Guards"</i> to 
defend themselves against counter-revolutionary attempts by the provisional 
government. As noted above, the Makhnovists fought Bolshevik and White 
dictatorship under Black Flags. On a more dreary note, February 1921 saw the 
end of black flags in Soviet Russia. That month saw Peter Kropotkin's funeral 
take place in Moscow. Twenty thousand people marched in his honour, carrying 
black banners that read: <i>"Where there is authority there is no freedom."</i> 
[Paul Avrich, <b>The Russian Anarchists</b>, p. 44, p. 124, p. 183 and p. 227] 
Only two weeks after Kropotkin's funeral march, the Kronstadt rebellion broke 
out and anarchism was erased from Soviet Russia for good. With the end of 
Stalinism, anarchism with its Black Flag re-emerged all across Eastern Europe, 
including Russia.
</p><p>
While the events above are fairly well known, as has been related, the exact 
origin of the black flag is not. What is known is that a large number of Anarchist 
groups in the early 1880s adopted titles associated with black. In July of 1881, 
the Black International was founded in London. This was an attempt to reorganise 
the Anarchist wing of the recently dissolved First International. In October 1881, 
a meeting in Chicago lead to the <b>International Working People's Association</b> 
being formed in North America. This organisation, also known as the <b>Black 
International</b>, affiliated to the London organisation. [Woodcock, <b>Op. Cit.</b>, 
pp. 212-4 and p. 393] These two conferences are immediately followed by Michel's 
demonstration (1883) and the black flags in Chicago (1884). 
</p><p>
Thus it was around the early 1880s that anarchism and the Black Flag became 
inseparably linked. Avrich, for example, states that in 1884, the black 
flag <i>"was the new anarchist emblem."</i> [<b>The Haymarket Tragedy</b>, p. 144] 
In agreement, Murray Bookchin reports that <i>"in later years, the Anarchists 
were to adopt the black flag"</i> when speaking of the Spanish Anarchist movement 
in 1870. [<b>The Spanish Anarchists</b>, p. 57] Walter and Heiner also note that 
<i>"it was adopted by the anarchist movement during the 1880s."</i> [Kropotkin, 
<b>Act for Yourselves</b>, p. 128] 
</p><p>
Now the question becomes why, exactly, black was chosen. The Chicago <i>"Alarm"</i> 
stated that the black flag is <i>"the fearful symbol of hunger, misery and death."</i> 
[quoted by Avrich, <b>Op. Cit.</b>, p. 144] Bookchin asserts that anarchists were 
<i>"to adopt the black flag as a symbol of the workers misery and as an expression 
of their anger and bitterness."</i> [<b>Op. Cit.</b>, p. 57] Historian Bruce C. 
Nelson also notes that the Black Flag was considered <i>"the emblem of hunger"</i> 
when it was unfurled in Chicago in 1884. [<b>Beyond the Martyrs</b>, p. 141 and 
p. 150] While it <i>"was interpreted in anarchist circles as the symbol of death, 
hunger and misery"</i> it was <i>"also said to be the 'emblem of retribution'"</i> 
and in a labour procession in Cincinnati in January 1885, <i>"it was further 
acknowledged to be the banner of working-class intransigence, as demonstrated by 
the words 'No Quarter' inscribed on it."</i> [Donald C. Hodges, <b>Sandino's 
Communism</b>, p. 21] For Berkman, it was the <i>"symbol of starvation and 
desperate misery."</i> [<b>Op. Cit.</b>, p. 341] Louise Michel stated that the 
<i>"black flag is the flag of strikes and the flag of those who are hungry."</i> 
[<b>Op. Cit.</b>, p. 168]
</p><p>
Along these lines, Albert Meltzer maintains that the association between the 
black flag and working class revolt <i>"originated in Rheims [France] in 1831 
('Work or Death') in an unemployed demonstration."</i> [<b>The Anarcho-Quiz 
Book</b>, p. 49] He went on to assert that it was Michel's action in 1883 that 
solidified the association. The links from revolts in France to anarchism are 
even stronger. As Murray Bookchin records, in Lyon <i>"[i]n 1831, the silk-weaving 
artisans . . . rose in armed conflict to gain a better <b>tarif</b>, or contract, 
from the merchants. For a brief period they actually took control of the city, 
under red and black flags -- which made their insurrection a memorable event 
in the history of revolutionary symbols. Their use of the word <b>mutuelisme</b> 
to denote the associative disposition of society that they preferred made their 
insurrection a memorable event in the history of anarchist thought as well, since 
Proudhon appears to have picked up the word from them during his brief stay in the
city in 1843-4."</i> [<b>The Third Revolution</b>, vol. 2, p. 157] Sharif Gemie 
confirms this, noting that a police report sent to the Lyon prefect that said: 
<i>"The silk-weavers of the Croix-Rousse have decided that tomorrow they will go 
down to Lyon, carrying a black flag, calling for work or death."</i> The revolt 
saw the Black Flag raised:
</p><p><blockquote><i>
"At eleven a.m. the silk-weavers' columns descended the slops of the Croix-Rousse. 
Some carried black flags, the colour of mourning and a reminder of their economic 
distress. Others pushed loaves of bread on the bayonets of their guns and held 
them aloft. The symbolic force of this action was reinforced by a repeatedly-shouted 
slogan: 'bread or lead!': in other words, if they were not given bread which they 
could afford, then they were prepared to face bullets. At some point during the 
rebellion, a more eloquent expression was devised: '<b>Vivre en travaillant ou 
mourir en combattant</b>!' -- 'Live working or die by fighting!'. Some witnesses 
report seeing this painted on a black flag."</i> [Sharif Gemie, <b>French Revolutions, 
1815-1914</b>, pp. 52-53]
</blockquote>
</p><p>
Kropotkin himself states that its use continued in the French labour movement after 
this uprising. He notes that the Paris Workers <i>"raised in June [1848] their black 
flag of 'Bread or Labour'"</i> [<b>Act for Yourselves</b>, p. 100] Black flags were
also hung from windows in Paris on the 1st of March, 1871, in defiance of the 
Prussians marching through the city after their victory in the Franco-Prussian 
War. [Stewart Edwards, <b>The Communards of Paris, 1871</b>, p. 25]
</p><p>
The use of the black flag by anarchists, therefore, is an expression of their roots 
and activity in the labour movement in Europe, particularly in France. The anarchist 
adoption of the Black Flag by the movement in the 1880s reflects its use as <i>"the 
traditional symbol of hunger, poverty and despair"</i> and that it was <i>"raised 
during popular risings in Europe as a sign of no surrender and no quarter."</i> 
[Walter and Becker, <b>Act for Yourselves</b>, p. 128] This is confirmed by the 
first anarchist journal to be called <b>Black Flag</b>: <i>"On the heights of the 
city [of Lyon] in la Croix-Rousse and Vaise, workers, pushed by hunger, raised for 
the first time this sign of mourning and revenge [the black flag], and made therefore 
of it the emblem of workers' demands."</i> [<b>Le Drapeau Noir</b>, no. 1, 12th August 
1883] This was echoed by Louise Michel:
</p><p><blockquote>
<i>"How many wrathful people, young people, will be with us when the red 
and black banners wave in the wind of anger! What a tidal wave it will be 
when the red and black banners rise around the old wreck!
</p><p>
"The red banner, which has always stood for liberty, frightens the executioners 
because it is so red with our blood. The black flag, with layers of blood upon 
it from those who wanted to live by working or die by fighting, frightens those 
who want to live off the work of others. Those red and black banners wave over 
us mourning our dead and wave over our hopes for the dawn that is breaking."</i> 
[<b>The Red Virgin: Memoirs of Louise Michel</b>, pp. 193-4]
</blockquote></p><p>
The mass slaughter of Communards by the French ruling class after the fall of 
the Paris Commune of 1871 could also explain the use of the Black Flag by 
anarchists at this time. Black <i>"is the colour of mourning [at least in 
Western cultures], it symbolises our mourning for dead comrades, those whose 
lives were taken by war, on the battlefield (between states) or in the streets 
and on the picket lines (between classes)."</i> [Chico, <i>"letters"</i>, 
<b>Freedom</b>, vol. 48, No. 12, p. 10] Given the 25 000 dead in the Commune,
many of them anarchists and libertarian socialists, the use of the Black 
Flag by anarchists afterwards would make sense. Sandino, the Nicaraguan 
libertarian socialist (whose use of the red-and-black colours we discuss 
<a href="append2.html#redblack"> below</a>) also said that black stood for 
mourning (<i>"Red for liberty; black for mourning; and the skull for a struggle 
to the death"</i> [Donald C. Hodges, <b>Sandino's Communism</b>, p. 24]).
</p><p>
Regardless of other meanings, it is clear that anarchists took up the black
flag in the 1880s because it was, like the red flag, a recognised symbol of 
working class resistance to capitalism. This is unsurprising given the nature 
of anarchist politics. Just as anarchists base our ideas on actual working 
class practice, we would also base our symbols on those created by that 
self-activity. For example, Proudhon as well as taking the term <i>"mutualism"</i> 
from radical workers also argued that co-operative <i>"labour associations"</i> 
had <i>"spontaneously, without prompting and without capital been formed 
in Paris and in Lyon. . . the proof of it [mutualism, the organisation of 
credit and labour] . . . lies in current practice, revolutionary practice."</i> 
[<b>No Gods, No Masters</b>, vol. 1, pp. 59-60] He considered his ideas, 
in other words, to be an expression of working class self-activity. Indeed, 
according to K. Steven Vincent, there was <i>"close similarity between the 
associational ideal of Proudhon . . . and the program of the Lyon Mutualists"</i> 
and that there was <i>"a remarkable convergence [between the ideas], and it is 
likely that Proudhon was able to articulate his positive program more coherently 
because of the example of the silk workers of Lyon. The socialist ideal that he 
championed was already being realised, to a certain extent, by such workers."</i> 
[<b>Pierre-Joseph Proudhon and the Rise of French Republican Socialism</b>, p. 164] 
Other anarchists have made similar arguments concerning anarchism being the 
expression of tendencies within working class struggle against oppression and
exploitation and so the using of a traditional workers symbol would be a natural 
expression of this aspect of anarchism.
</p><p>
Similarly, perhaps it is Louise Michel's comment that the Black Flag 
was the <i>"flag of strikes"</i> which could explain the naming of the 
<b>Black International</b> founded in 1881 (and so the increasing use 
of the Black Flag in anarchist circles in the early 1880s). Around the 
time of its founding congress Kropotkin was formulating the idea that 
this organisation would be a <i>"Strikers' International"</i> (<b>Internationale
Greviste</b>) -- it would be <i>"an organisation of resistance, of strikes."</i> 
[quoted by Martin A. Miller, <b>Kropotkin</b>, p. 147] In December 
1881 he discussed the revival of the International Workers Association as a 
<b><i>Strikers' International</b></i> for to <i>"be able to make the revolution, 
the mass of workers will have to organise themselves. Resistance and strikes are
excellent methods of organisation for doing this."</i> He stressed that the 
<i>"strike develops the sentiment of solidarity"</i> and argued that the First 
International <i>"was born of strikes; it was fundamentally a strikers' 
organisation."</i> [quoted by Caroline Cahm, <b>Kropotkin and the Rise of 
Revolutionary Anarchism, 1872-1886</b>, p. 255 and p. 256] 
</p><p>
A <i>"Strikers International"</i> would need the strikers flag and so, perhaps, 
the <b>Black International</b> got its name. This, of course, fits perfectly with 
the use of the Black Flag as a symbol of workers' resistance by anarchism, a 
political expression of that resistance.</p>
</p><p>
However, the black flag did not instantly replace the red flag as the main 
anarchist symbol. The use of the red flag continued for some decades in 
anarchist circles. Thus we find Kropotkin writing in the early 1880s of 
<i>"anarchist groups . . . rais[ing] the red flag of revolution."</i> As Woodcock 
noted, the <i>"black flag was not universally accepted by anarchists at this time. 
Many, like Kropotkin, still thought of themselves as socialists and of the red flag 
as theirs also."</i> [<b>Words of a Rebel</b>, p. 75 and p. 225] In addition, we 
find the Chicago anarchists using both black and red flags all through the 1880s. 
French Anarchists carried three red flags at the funeral of Louise Michel's mother 
in 1885 as well as at her own funeral in January 1905. [Louise Michel, <b>Op. Cit.</b>, 
p. 183 and p. 201] Anarchist in Japan, for example, demonstrated under red flags 
bearing the slogans <i>"Anarchy"</i> and <i>"Anarchist Communism"</i> in June, 
1908. [John Crump, <b>Hatta Shuzo and Pure Anarchism in Interwar Japan</b>, 
p. 25] Three years later, the Mexican anarchists declared that they had <i>"hoisted 
the Red Flag on Mexico's fields of action"</i> as part of their <i>"war against 
Authority, war against Capital, and war against the Church."</i> They were 
<i>"fighting under the Red Flag to the famous cry of 'Land and Liberty.'"</i> 
[Ricardo Flores Magon, <b>Land and Liberty</b>, p. 98 and p. 100]
</p><p>
So for a considerable period of time anarchists used red as well as black 
flags as their symbol. The general drift away from the red flag towards 
the black must be placed in the historical context. During the 1880s the 
socialist movement was changing. Marxist social democracy was becoming the 
dominant socialist trend, with libertarian socialism going into relative 
decline in many areas. Thus the red flag was increasingly associated with 
the authoritarian and statist (and increasingly reformist) side of the 
socialist movement. In order to distinguish themselves from other socialists, 
the use of the black flag makes perfect sense as it was it an accepted 
symbol of working class revolt like the red flag.
</p><p>
After the Russian Revolution and its slide into dictatorship (first under Lenin, 
then Stalin) anarchist use of the red flag decreased as it no longer <i>"stood 
for liberty."</i> Instead, it had become associated, at worse, with the Communist 
Parties or, at best, bureaucratic, reformist and authoritarian social democracy. 
This change can be seen from the Japanese movement. As noted above, before the 
First World War anarchists there had happily raised the red flag but in the 1920s 
they unfurled the black flag. Organised in the <b>Kokushoku Seinen Renmei</b> (Black 
Youth League), they published <b>Kokushoku Seinen</b> (Black Youth). By 1930, the 
anarchist theoretical magazine <b>Kotushoku Sensen</b> (Black Battlefront) had 
been replaced by two journals called <b>Kurohata</b> (Black Flag) and <b>Kuhusen</b> 
(Black Struggle). [John Crump, <b>Op. Cit.</b>, pp. 69-71 and p. 88] 
</p><p>
According to historian Candace Falk, <i>"[t]hough black has been associated with 
anarchism in France since 1883, the colour red was the predominant symbol of 
anarchism throughout this period; only after the First World War was the colour 
black widely adopted."</i> [<b>Emma Goldman: A Documentary History of the American 
Years</b>, vol. 1, p. 208fn] As this change did not occur overnight, it seems safe 
to conclude that while anarchism and the black flag had been linked, at the 
latest, from the early 1880s, it did not become the definitive anarchist 
symbol until the 1920s (Carlo Tresca in America was still talking of standing 
<i>"beneath the red flag that is the immaculate flag of the anarchist idea"</i> 
in 1925. [quoted by Nunzio Pernicone, <b>Carlo Tresca: Portrait of a Rebel</b>, 
p. 161]). Before then, anarchists used both it and the red flag as their symbols 
of choice. After the Russian Revolution, anarchists would still use red in their 
flags, but only when combined with black. In this way they would not associate 
themselves with the tyranny of the USSR or the reformism and statism of the 
mainstream socialist movement.</p>

<a name="redblack"><h3>2 Why the red-and-black flag?</h3></a>

<p>
The red-and-black flag has been associated with anarchism for some time.
Murray Bookchin placed the creation of this flag in Spain:
</p><p><blockquote>
<i>"The presence of black flags together with red ones became a feature of
Anarchist demonstrations throughout Europe and the Americas. With the 
establishment of the CNT, a single flag on which black and red were separated 
diagonally, was adopted and used mainly in Spain."</i> [<b>The Spanish Anarchists</b>, 
p. 57]
</blockquote></p><p>
George Woodcock also stressed the Spanish origin of the flag:
</p><p><blockquote>
<i>"The anarcho-syndicalist flag in Spain was black and red, divided diagonally. 
In the days of the [First] International the anarchists, like other socialist 
sects, carried the red flag, but later they tended to substitute for it the black 
flag. The black-and-red flag symbolised an attempt to unite the spirit of later 
anarchism with the mass appeal of the International."</i> [<b>Anarchism</b>, p. 325fn]
</blockquote>
</p><p>
According to Abel Paz, anarchist historian and CNT militant in the 1930s, the
1st of May, 1931, was <i>"the first time in history [that] the red and black 
flag flew over a CNT-FAI rally."</i> This was the outcome of an important
meeting of CNT militants and anarchist groups to plan the May Day demonstrations
in Barcelona. One of the issues to be resolved was <i>"under what flag to march."</i> 
One group was termed the <i>"Red Flag"</i> anarchists (who <i>"put greater emphasis 
on labour issues"</i>), the other <i>"Black Flag"</i> anarchists (who were 
<i>"more distant (at the time) from economic questions"</i>). However, with 
the newly proclaimed Republic there were <I>"tremendous opportunities for 
mass mobilisations"</i> which made disagreements on how much emphasis to 
place on labour issues <i>"meaningless."</i> This allowed an accord to be 
reached with its <i>"material expression"</i> being <i>"making the two flags 
into one: the black and red flag."</i> [<b>Durruti in the Spanish Revolution</b>, 
p. 206]
</p><p>
However, the red-and-black flag was used by anarchists long before 1931, indeed
decades before the CNT was even formed. In fact, it, rather than the black flag, 
may well have been the first specifically anarchist flag. 
</p><p>
The earliest recorded use of the red-and-black colours was during the attempted 
Bologna insurrection of August 1874 where participants were <i>"sporting the 
anarchists' red and black cockade."</i> [Nunzio Pernicone, <b>Italian Anarchism, 
1864-1892</b>, p. 93] In April 1877, a similar attempt at provoking rebellion 
saw anarchists enter the small Italian town of Letino <i>"wearing red and black 
cockades"</i> and carrying a <i>"red and black banner."</i> These actions helped 
to <i>"captur[e] national attention"</i> and <i>"draw considerable notice to the 
International and its socialist programme."</i> [Nunzio Pernicone, <b>Op. Cit.</b>, 
pp. 124-5 and pp. 126-7] Significantly, another historian notes that the insurgents 
in 1874 were <i>"decked out in the red and black emblem of the International"</i> 
while three years later they were <i>"prominently displaying the red and black 
anarchist flag."</i> [T. R. Ravindranathan, <b>Bakunin and the Italians</b>, 
p. 208 and p. 228] Thus the black-and-red flag, like the black flag, was a 
recognised symbol of the labour movement (in this case, the Italian section of
the First International) before becoming linked to anarchism.
</p><p>
The red-and-black flag was used by anarchists a few years later in Mexico. At 
an anarchist protest meeting on December 14th, 1879, at Columbus Park in 
Mexico City <i>"[s]ome five thousand persons gathered replete with numerous 
red-and-black flags, some of which bore the inscription 'La Social, Liga 
International del Jura.' A large black banner bearing the inscription 'La 
Social, Gran Liga International' covered the front of the speaker's platform."</i> 
The links between the Mexican and European anarchist movements were strong, 
as the <i>"nineteenth-century Mexican urban labour-movement maintained direct 
contact with the Jura branch of the . . . European-based First International 
Workingmen's Association and at one stage openly affiliated with it."</i> [John 
M. Hart, <b>Anarchism and the Mexican Working Class, 1860-1931</b>, p. 58 and p. 17] 
One year after it was founded, the anarchist influenced <b>Casa del Obrero Mundial</b>
organised Mexico's first May Day demonstration in 1913 and <i>"between twenty 
and twenty-five thousand workers gathered behind red and black flags"</i> in
Mexico City. [John Lear, <b>Workers, Neighbors, and Citizens</b>, p. 236]
</p><p>
Augusto Sandino, the radical Nicaraguan national liberation fighter was so 
inspired by the example of the Mexican anarcho-syndicalists that he based 
his movement's flag on their red-and-black ones (the Sandinista's flag is 
divided horizontally, rather than diagonally). As historian Donald C. Hodges 
notes, Sandino's <i>"red and black flag had an anarcho-syndicalist origin, 
having been introduced into Mexico by Spanish immigrants."</i> Unsurprisingly, 
his flag was considered a <i>"workers' flag symbolising their struggle for
liberation."</i> (Hodges refers to Sandino's <i>"peculiar brand of 
anarcho-communism"</i> suggesting that his appropriation of the flag
indicated a strong libertarian theme to his politics). [<b>Intellectual
Foundations of the Nicaraguan Revolution</b>, p. 49, p. 137 and p. 19]
</p><p>
This suggests that the red-and-black flag was rediscovered by the Spanish 
Anarchists in 1931 rather than being invented by them. However, the CNT-FAI
seem to have been the first to bisect their flags diagonally black and red (but 
other divisions, such as horizontally, were also used). In the English speaking 
world, though, the use of the red-and-black flag by anarchists seems to spring 
from the world-wide publicity generated by the Spanish Revolution in 1936. With 
CNT-FAI related information spreading across the world, the use of the CNT 
inspired diagonally split red-and-black flag also spread until it became a 
common anarchist and anarcho-syndicalist symbol in all countries.
</p><p>
For some, the red-and-black flag is associated with anarcho-syndicalism
more than anarchism. As Albert Meltzer put it, <i>"[t]he flag of the
labour movement (not necessarily only of socialism) is red. The CNT of 
Spain originated the red-and-black of anarchosyndicalism (anarchism plus 
the labour movement)."</i> [<b>Anarcho-Quiz Book</b>, p. 50] Donald C. 
Hodges makes a similar point, when he states that <i>"[o]n the insignia 
of the Mexico's House of the World Worker [the Mexican anarcho-syndicalist 
union], the red band stood for the economic struggle of workers against 
the proprietary classes, and the black for their insurrectionary struggle."</i> 
[<b>Sandino's Communism</b>, p. 22] 
</p><p>
This does not contradict its earliest uses in Italy and Mexico as those 
anarchists took it for granted that they should work within the labour 
movement to spread libertarian ideas. Therefore, it is not surprising we 
find movements in Mexico and Italy using the same flags. Both were  
involved in the First International and its anti-authoritarian 
off-spring. Both, like the Jura Federation in Switzerland, were heavily 
involved in union organising and strikes. Given the clear links and 
similarities between the collectivist anarchism of the First International 
(the most famous advocate of which was Bakunin) and anarcho-syndicalism, 
it is not surprising that they used similar symbols. As Kropotkin argued, 
<i>"Syndicalism is nothing other than the rebirth of the International -- 
federalist, worker, Latin."</i> [quoted by Martin A. Miller, <b>Kropotkin</b>, 
p. 176] So a rebirth of symbols would not be a co-incidence.
</p><p>
Thus the red-and-black flag comes from the experience of anarchists 
in the labour movement and is particularly, but not exclusively, associated 
with anarcho-syndicalism. The black represents libertarian ideas and 
strikes (i.e. direct action), the red represents the labour movement. 
Over time association with anarcho-syndicalism has become less noted, 
with many non-syndicalist anarchists happy to use the red-and-black 
flag (many anarcho-communists use it, for example). It would be a good 
generalisation to state that social anarchists are more inclined to use 
the red-and-black flag than individualist anarchists just as social 
anarchists are usually more willing to align themselves with the wider 
socialist and labour movements than individualists (in modern times at 
least). However, both the red and black flags have their roots in the
labour movement and working class struggle which suggests that the 
combination of both flags into one was a logical development. Given 
that the black <b>and</b> red flags were associated with the Lyon 
uprising of 1831, perhaps the development of the red-and-black flag 
is not too unusual. Similarly, given that the Black Flag was the 
<i>"flag of strikes"</i> (to quote Louise Michel -- see 
<a href="append2.html#black">above</a>) its use with the red flag of 
the labour movement seems a natural development for a movement like
anarchism and anarcho-syndicalism which bases itself on direct action
and the importance of strikes in the class struggle.
</p><p>
So while associated with anarcho-syndicalism, the red-and-black flag
has become a standard anarchist symbol as the years have gone by, with 
the black still representing anarchy and the red, social co-operation 
or solidarity. Thus the red-and-black flag more than any one symbol 
symbolises the aim of anarchism (<i>"Liberty of the individual and 
social co-operation of the whole community"</i> [Peter Kropotkin, 
<b>Act for Yourselves</b>, p. 102]) as well as its means (<i>"[t]o make 
the revolution, the mass of workers will have to organise themselves. 
Resistance and the strike are excellent means of organisation for doing 
this"</i> and <i>"the strike develops the sentiment of solidarity."</i> 
[Kropotkin, quoted by Caroline Cahm, <b>Kropotkin and the Rise of 
Revolutionary Anarchism: 1872-1186</b>, p. 255 and p. 256]).
</p>

<a name="circledA"><h3>3 Where does the circled-A come from?</h3></a>

<p>
The circled-A is, perhaps, even more famous than the Black and Red-and-Black 
flags as an anarchist symbol (probably because it lends itself so well to
graffiti). According to Peter Marshall the <i>"circled-A"</i> represents 
Proudhon's maxim <i>"Anarchy is Order."</i> [<b>Demanding the Impossible</b> 
p. 558] Peter Peterson also adds that the circle is <i>"a symbol of
unity and determination"</i> which <i>"lends support to the off-proclaimed
idea of international anarchist solidarity."</i> [<i>"Flag, Torch, and Fist:
The Symbols of Anarchism"</i>, <b>Freedom</b>, vol. 48, No. 11, pp. 8]
</p><p>
However, the origin of the "circled-A" as an anarchist symbol is less clear. 
Many think that it started in the 1970s punk movement, but it goes back to 
a much earlier period. According to Peter Marshall, <i>"[i]n 1964 a French 
group, <b>Jeunesse Libertaire</b>, gave new impetus to Proudhon's slogan 
'Anarchy is Order' by creating the circled-A a symbol which quickly 
proliferated throughout the world."</i> [<b>Op. Cit.</b>, p. 445] This is not the
earliest sighting of this symbol. On November 25 1956, at its foundation 
in Brussels, the <b>Alliance Ouvriere Anarchiste</b> (AOA) adopted this symbol. 
Going even further, a BBC documentary on the Spanish Civil War shows 
an anarchist militia member with a "circled-A" clearly on the back of 
his helmet. Other than this, there is little know about the "circled-A"s 
origin.
</p><p>
Today the circled-A is one of the most successful images in the whole
field of political symbolising. Its <i>"incredible simplicity and directness
led [it] to become the accepted symbol of the restrengthened anarchist
movement after the revolt of 1968"</i> particularly as in many, if not most, 
of the world's languages the word for anarchy begins with the letter
A. [Peter Peterson, <b>Op. Cit.</b>, p. 8]
</p>

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